➵ for
usavatar ● there's no justice in the world and there never was
( In battle, he can forget. Eyes on a target, a mission to fulfill, and no room for error, there is no time to think about who he is or what’s been done to him. In battle, there is purpose, and the adrenaline of living each moment between life and death, and the thrilling feeling of victory.
And then, it is over, and he is left with the things he has done.
Eating shawarma does not give him purpose. It does not help him forget. It’s delicious, to be sure, but Natasha’s presence beside him is really the only thing keeping him grounded, the only thing stopping him from bolting. He doesn’t belong at this table—the men around him are heroes, and Natasha as much as any of them. And he? He spent his week sniping innocent security guards and his own associates.
He puts his leg up on her chair, and she touches his knee, briefly. If one woman was capable of absolving him of everything, it would be her. But even she can’t do that for him, so he munches into his sandwich and smacks his lips and tells Banner that green is really his color. And Stark is going on about how he deserves a statue, and Thor is clapping him on the back, and the captain? The captain Clint can’t get a read on. He’s an American hero, a living legend. And Clint Barton is nothing but a man with blood on his hands.
They wrap up their food and get up, and Natasha is touching his shoulder and whispering something about keeping a promise (he finds out later that she’s conferring with Banner, finding him a way to vanish and a place to vanish to), and Thor and Stark are still wrapped up in their conversation, so despite Clint’s best efforts, he finds himself face-to-face with Steve Rogers, genuine American hero. )
And then, it is over, and he is left with the things he has done.
Eating shawarma does not give him purpose. It does not help him forget. It’s delicious, to be sure, but Natasha’s presence beside him is really the only thing keeping him grounded, the only thing stopping him from bolting. He doesn’t belong at this table—the men around him are heroes, and Natasha as much as any of them. And he? He spent his week sniping innocent security guards and his own associates.
He puts his leg up on her chair, and she touches his knee, briefly. If one woman was capable of absolving him of everything, it would be her. But even she can’t do that for him, so he munches into his sandwich and smacks his lips and tells Banner that green is really his color. And Stark is going on about how he deserves a statue, and Thor is clapping him on the back, and the captain? The captain Clint can’t get a read on. He’s an American hero, a living legend. And Clint Barton is nothing but a man with blood on his hands.
They wrap up their food and get up, and Natasha is touching his shoulder and whispering something about keeping a promise (he finds out later that she’s conferring with Banner, finding him a way to vanish and a place to vanish to), and Thor and Stark are still wrapped up in their conversation, so despite Clint’s best efforts, he finds himself face-to-face with Steve Rogers, genuine American hero. )
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Arrogance may not be a uniquely American trait, but I must say, you do it better than anyone.
He doesn't have the energy for a fight - not a verbal one, not on the scale that would probably break out if he and Barton try to lay into each other in front of Tony and Thor, so he takes a moment to gather himself and let go of the metaphorical trigger.] Never?
[Steve tilts his soda cup to get at the remains of the drink with his straw.]
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( Not even when I want to. The images flash before his eyes, unbidden--the two security guards. The scientist. How many SHIELD agents? Natasha wouldn't tell him. Dead, now, because of his unerring aim.
Before he thinks about it he finds himself pushing the bow away, so that it skids to the empty end of the table. He is going to have to get over this, someday. He'll never be able to live, otherwise. But the thought just makes him feel like vomiting. Suddenly he is very glad that he is sitting here, among this band of misfits, instead of standing on the bridge of the helicarrier, trying to hold his head up in front of the other agents. )
I wouldn't be very useful if I did, would I?
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He braces one hand on the table to help himself stand, the other pressed against the gash that alien's weapon left gouged in his side. He picks the shield up from where it rests against his chair, jerks his head toward the door, starts walking and lets Barton decide if he'll follow or not. Steve counts himself lucky that he's not limping - rather, that he can hide it well enough to appear more or less all right. The difference between the inside of the shawarma shop and the moment he steps outside is unmistakable. Out of Steve Rogers, into the role of Captain America, battered but unbowed.
There are army personnel, cops, and firefighters everywhere, punctuated by emergency medical staff and civilians. It's a war zone. In New York City. And for a moment it's easy to forget when he is and focus on his city and its people. He stops the nearest soldier with a hand on the man's shoulder, smiles in the most benign way he can manage in the face of the stranger's shock, and gestures to the mess.] Where do you need us.
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He lets Rogers deal with talking to the soldiers--that's his department, isn't it?--and instead surveys the scene around him. It's a mess, to be sure. Broken buildings, piles of rubble, the corpses of their alien assailants. His face scrunches as he turns in a circle, taking it all in. His hawk's eyes don't miss a thing.
So it's not long before he finds a spot that suits him, and picks up one of the alien bodies, throwing it with little care onto an army-issue truck. Something to do. This, he can deal with. )
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It takes about a half hour to get clear and find Barton, and Steve throws himself into helping, lit with the energy of a clear goal. He picks up one of the Chitauri weapons, pausing to turn it over in his hands.] I owe Fury another ten bucks.
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When Rogers joins him, he barely acknowledges the other man, but observes him carefully. And when the captain speaks, he has to turn and give him a baffled look. )
You bet the Director? Bad move.
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[Well, all this.] Told him I doubted anything would surprise me any more, and he bet me I was wrong.
[A sound catches Steve's attention and he joins three men trying to shift a piece of debris off a vehicle with someone sobbing inside, straining with muscles that burn from overuse, his body one solid pain punctuated by smaller ones like some kind of all-you-can eat injury buffet.] You're all right.
[Metal squeals as the concrete chunk starts to move.] Hawkeye. Can you get through the window, see if he can climb out?
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( The last time he'd seen Nick Fury, the man he'd given his life to serve had been shooting at him. And Nick Fury did not shoot to incapacitate or injure. It was the right call, of course--a compromised agent was a threat, and the havoc Clint had reeked was proof of that. But still, he couldn't help but be glad the director's aim had been off.
Steve's voice calls him out of the thought, and he nods once, curtly. He ends up using the bow as a crowbar, shattering the glass and creating a dangerous but open passage for the man to climb through.
The man's name is Randall, and once he's out he thanks both Clint and Steve profusely, much to Clint's embarrassment. )
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I'm going to dodge out before the press can corner any of us. One of the army folks said he could give us a lift down to Fort Hamilton - I don't live too far from there. Romanoff can meet you once she's finished her business with Dr. Banner, unless you'd rather stay here.
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Still, straying too far from Natasha's side feels like a bad idea. As though if she's not around, something dark might spring up within him again. The captain probably sees him waffling, and Clint's knowledge or supposition of this makes him reevaluate. The hell with this--he can't spend the rest of his life leashed, and afraid of himself. So he brushes himself off and inclines his head. )
Sounds like fun. It's not every day I get invited to the home of a living legend.
( He says that with a touch of irony. )
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The truck they're shown to is stacked with Chitauri weapons, doubtless destined for research facilities the soldiers themselves have never heard of and probably never will. Steve smiles and chats and dreams of his shower in between descriptions of the chaos of the fight, giving and receiving stories, weighing out accomplishments alongside his brothers-in-arms.
Everyone wants to know how it is that he's there, how it is that he's alive, who his teammates are, what's Tony Stark really like. Everyone has a story about a parent's toys or a grandparent's trip to one of the stateside USO productions. By the time they clear Fort Hamilton's walls Steve wants nothing more than to strip the uniform off and collapse, but there's still the walk through Bay Ridge to his place. The neighborhood is far enough from Manhattan to be undamaged, and it's like wandering through a different world. He sticks as much as possible to back alleys and side streets, grateful that the majority are inside glued to the news and the rest are too surprised by the stars and stripes to approach. The stairs up to his apartment almost undo him, and when he realizes his keys are on board the helicarrier - well, he just breaks open the door.] I don't know what you expect, but prepare for disappointment.
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He takes the stairs two at a time just to prove he can, and then whistles low when Steve breaks into his own house. Does that win him any points? Maybe a few. At Steve's words, he lets out a hollow laugh. )
Don't worry, Boy Scout. No one disappoints me but me.
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The rooms bleed into each other through double-wide open doorways, and his bed is positioned in a far corner that gives him a view of every window and the front door. One of the rooms has nothing but weights and a punching bag. Another, a couch and half-filled book shelves. A closed door leads to the bathroom. The kitchen is probably the second most used space, after what would be an office if Steve did any kind of business. Instead, the room is a studio, and the handiwork from it provides one of the few things that give the apartment any kind of character beyond abandoned.
Paintings, portraits and landscapes done in pastels and ink. The city, its parks and people. There are some half-finished sketches of repeated faces - one of them being Howard Stark's, similar enough to Tony to stand out - and then Peggy. Over and over again, depictions done with the sharpness of a photograph or a blade. Peggy in a red dress, Peggy in her uniform. One doodle of Peggy throwing a glass of wine in Howard Stark's face, though the latter is grinning. Memories made into photos Steve himself doesn't have.
He walks past them without pausing, into the kitchen to turn on the sink and stick his head under the faucet. He scrubs a hand through his hair, enjoying the cold and sputtering water before he calls back to Hawkeye.] Make yourself at home. There's drinks in the fridge - no beer, but it doesn't do much for me.
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He shakes his head, takes another few steps. It's amazing how lived-in this place already feels, how personal. Clint's own apartments, one tucked away on each coast, are bare enough to be asylums. He doesn't have many personal affects, keeps very few records. The parents and brother he had so long ago no longer exist, not even in photographs. And secret agents are the last people who need paper trails.
Eventually he wanders into the kitchen behind Steve. )
That's fine. The last thing I need right now is a buzz.
( Or to be out of his senses, in any way. He ducks his head into the fridge--do you have orange juice, Steve?--before pulling away to regard Steve thoughtfully. )
You're pretty in-practice for having been out of the game for what, a century?
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Six months. [He twists the faucet handle with almost too much force, bending it slightly but catching himself before it breaks. The water trickles to a halt, but Steve leaves himself folded over into the sink.] Six months, three weeks, two days since I woke up. It hasn't been a century for me. It hasn't been a year. Haven't had time to get out of practice.
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Lucky for us, I guess.
( And then, quieter: ) Never thought I'd be missing time, like that.
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Is that what it was like?
[Steve finishes off one of the shakes in the time it takes to chug a can of soda, his stomach reminding him almost painfully of the duty he's been neglecting, shawarma or no. He sets it aside, opens the second, and starts in on that a little more slowly.] I read the report. About the facility Loki hit.
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He emptied me out. Put something else in. When Natasha saved me, it was like waking up.
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There's no particular comfort he can offer, no advice or experience to share that couldn't be turned aside with the simple declaration that Steve doesn't understand. Because he doesn't. Losing time - that he understands. But that's not what happened to Barton.]
She's a good agent. [Steve frowns. The compliment doesn't come out feeling like enough.] She's remarkable, actually.
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Only one person hadn't given up on him. )
She's the best there is. There's a reason Nick chose her, out of everyone, to pull you all together.
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Not quite so with Peggy, but the fear is still there. Steve ducks his head to rub his eyes.]
Nick. You know him pretty well, then.
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Clint ground his teeth. )
Yeah. He's my boss. And, between you and me, he's an asshole.
( But an asshole who did what he had to do. The last time he'd seen him, they were shooting at each other.
Why did he have to remember that? )
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He knows the tools he needs for a job. He's a commander. [Steve's hand automatically goes to the spot where he tucked one of those cards Fury threw across the table, the blood-stained reminder that someone still believed Captain America meant something important.] He knows his work. Niceness isn't part of the package.
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( That had never been more apparent than it was today. Clint would have followed Nick's orders on just about anything--not without question, but he'd follow them--but then again, Clint was never supposed to be an Avenger. He wasn't a hero, or a remarkable person. He was just a guy with a good shot. )
You don't have to tell me that. We're probably going to put "SHIELD: We Don't Do Nice," on our mugs, next year.
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[He softens, a little, remembering the faces of the people on the street.] Or we do what we did today. We decide for ourselves.
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